My previous experience of Rachel Cusk is restricted to her travel book on Italy, The Last Supper , which was withdrawn in Britain because of objections from individuals who found themselves featured, unflatteringly, within its pages. It's very difficult not to write a book about Italy without being smug. Then I read reviews (especially hatchet jobs) about her controversial divorce memoir, Aftermath . I confess I’m suspicious when a writer writes memoir after memoir, as if his own life is the only field of interest. I read memoirs – I am moved by the familiar voice – but I’m wary of their cultural predominance. Self-knowledge is a good springboard for knowledge of others. Orbiting one’s own life without ever calling into question the limitation of it seems myopic. (This, however, is not to say that personal writing can be divorced from art, or that it should be.) But Outline is an expose of how fascinating and selfish and dreary and inescapable monologues on the self can be. The