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Michaelmas is nearly halfway through. The trees are reluctant to shed their leaves. Though the temperature rises and falls the hours of daylight announce the deepening of autumn. On Saturday, on the river, I waited for my stroke and watched the geese, ducks, swans, gulls, the riverboats and their winsome crews. I saw Christ Church in the distance. I have forgotten what I want this blog to be. As I become integrated into life here it’s more difficult to step aside, to romanticize and tie up. British customs have stopped seeming British and just seem expected. The blog was originally meant for book reviews, but I’m not reading enough books, at least the sort that I was practicing for. I have, however, just finished Haruki Murakami’s 1Q84 trilogy. I suppose I’ll try to coalesce my thoughts on this in the next two or three days while writing on Chaucer (again) and taking tentative steps towards Milton. And I can’t help feeling that writing one’s opinions on dead authors is fraught with dan...

Tales of the City II

Barcelona as a whole, if taken from the motorway, or by train, is monstrously ugly. Its outskirts have the same shambly, cheap, urine-stained, graffitied, weedy looks of cities which are interchangeable. It could have been Johannesburg. But in the Gothic Quarter it is another city: a city of terraced balconies that jut like stiff mantillas above the streets, the damp stone tiles and the tickly smell of sewage. Clothes are strung from balconies or extended wires; ferns and spiked plants explore or gingerly poke out from between the bars; pigeons and noisy green parrot-like birds shoot up to the roofs or are keep in domed iron cages; doors of vehement graffiti overlaid by political posters or advertisements or slogans. But the rhythm of the city is exhausting, continual wearing alleviated by the home one makes in it, no refuge for tourists. And still, we are fortunate. When winding around the streets of the Quarter, we stumble across the front of a church in a small plaza. There are well...

Tales of the City

It’s been an embarrassing lapse of time. Spain was so vivid that it’s been almost entirely bleached out in the past weeks, from over-exposure. We were the least experienced, least prepared visitors, crippled linguistically and clinging to the dictionary and phrasebook. We tried, in order to offer some degree of cultural respect, gesture of friendship. We looked foolish. In Barcelona, on a searingly hot day, I sought an iced mocha. We went, exhausted, into the Hotel Zurich, a rather posh place (we discovered too late) near the Place de Catalunya. I’d like an iced mocha, I said, embarrassed, flustered, thirsty. The waiter, a distinguished man of impeccable carriage, said a reluctant ‘si’ and began slowly fumbling around for the espresso machine. All of the waiters eyed me up in a tut-tut manner before a younger man approached me in order to tell me it wasn’t possible. No, no, no, said all the others, relieved that the truth had been told at last, that they could leave iced mochas to Star...

Claro, hablo castellano!

Tomorrow I start for Spain; a week in Catalonia. As one of my favourite parts of going on holiday is planning which books to take. This is what’s accompanying me (you might notice a curious lack of Medieval and Renaissance titles): As I walked Out One Midsummer Morning – Laurie Lee A birthday gift from a friend. Lee’s autobiography from his journeys in Spain in 1934. Homage to Catalonia - George Orwell A classic of the Spanish Civil War. Long overdue. The Skeptical Romancer: Selected Travel Writing - W. Somerset Maugham The part of which concerns Spain. Trips to China for reading variation. After the Death of Don Juan - Sylvia Townsend Warner An accidental find. I’m a fan of Sylvia’s, and this was written during the Civil War and apparently reflects some of the turmoil in against the backdrop of eighteenth century Spain. Hemingway’s For whom the Bell Tolls I read in Oxford. Am very much considering – as an antidote to overindulgence – Vladimir Sorokin’s Ice Trilogy , but we’ll s...

Summering in Somerset

The Archers is real. I walked into the midst of it in Milverton a few weeks ago. A and I went with our friend L to visit her home in a village in Somerset. L’s mother is a popular children’s author and, even coming from Oxford, A and I acknowledged the utter unreality of life in a manor hour in Somerset during a week of fete-ing and festivities. The Old House, as the Milvertonians call it, was once the house of the bishops of Taunton and Deane, including Thomas Cranmer, Archbishop of Canterbury from – to – during the reigns of Henry VIII and his son Edward, and executed under Mary. The house has recently come into some excitement as, during a remodelling, a rare mural of Henry – somewhat caricatured and perhaps hastily covered up when the political climate rapidly changed - was discovered behind the plastering in the hall. For the 10 Parishes festival and in tribute to the presence of Henry, L’s mother wrote a play dramatizing the King’s Great Matter, starring the village Amateur Dram...
Finally finished David Foster Wallace's Pale King and my review is up on the Cherwell website here . DFW has become something of a summer obsession, so this conclusion is satisfying.

Contrary Gardening

The British film director Mike Leigh, as I understand it, has a reputation for depressing British naturalistic dramas (at least in HMC discourse). Happy-Go-Lucky (2008), with its ebullient heroine, Poppy, traversing a shabby London accompanied by wind instruments, had its frightening moments (Poppy in a car with a mentally unstable driving instructor) but resolved itself with Poppy and her friend swanning around in a rowboat. Another Year (2010) seemed more of a gamble. We were promised a cheerful movie with a bit of melancholy. It began hopefully. As the title suggests, the film is structured by the seasons. Spring begins - after a medical interview with a grim-faced woman (Imelda Staunton) who has trouble sleeping and cannot remember ever being happy - with a long-married couple working peacefully in an allotment. The gardening threads through the film and provides a competent metaphor for a script dealing with the relations between people. At the nexus of the web of relat...