Skip to main content

Pablo: The Other Man in My Life


Chilean poet Pablo Neruda's sensuous and often fantastical poetry is filled with images and song: with oranges, the salty sea, odes to seagulls, dictionaries and chairs, freshly-baked bread, straw for a broom, a cry for liberation.

His volume of poetry is the best thing to carry around (a happy brick) and dip into from time to time with funny phrases: "What a world! What deep parsley!" or (his specialty) love poems: "I love you as one loves certain dark things,/ secretly, between the shadow and the soul./ I love you as the plant that doesn't bloom and carries/ the light of those flowers, hidden, within itself..."

His world is ripe and reading him is like laying out in the sun.

Here from his One Hundred Love Sonnets is a unusually tender and domestic poem:

LIII

Here are the bread-the wine-the table-the house:
a man's needs, and a woman's, and a life's.
Peace whirled through and settled in this place:
the common fire burned, to make this light.

Hail to your two hands, which fly and make
their white creations, the singing and the food:
salve! the wholesomeness of your busy feet;
viva! the ballerina who dances with the broom.

Those rugged rivers of water and of threat,
torturous pavilions of the foam,
incendiary hives and reefs: today

they are this respite, your blood in mine,
this path, starry and blue as the night,
this never-ending simple tenderness.

(trans. Stephen Tapscott)

Comments

Popular posts from this blog

My Mad Girl

[A Question I am Not the First to Ask: What is it about women and madness? Are they more susceptible to delusion than men are? The subject of many books and hypotheses, we wonder if madness dogs the steps of creative women (eg. Anne Sexton, Sylvia Plath, Virginia Woolf, Charlotte Perkins Gilman…) Is it a biological coincidence or a recurring phenomenon? Is it socially reinforced? Do men fear the hysterical women? Is it the uterus (Greek “hysteria”) which turns the brain?] The reclusive writer, the late Janet Frame, winner of all of New Zealand’s literary prizes, spent much time in institutions and in therapy and, as far as I can tell, her novels commonly include themes of estrangement, mental health and madness. Frame considered her 1963 novel Towards Another Summer too personal be published in her lifetime. As she’d already written an autobiography ( Angel at My Table , made into a film by Jane Campion) and been this subject of several biographies, this is telling. Towards Another Su
Attention poetry mavens: any suggestions for good contemporary poets (either in general or particular collections)? Have sudden appetite but very little idea where to start. Any advice welcome!

Before I go

I'm at the airport with too many bags. A last minute weigh in required me to pull all my books out of my bags and redistribute the weight, while the service representative had to call Iceland (where I pass through en route to London), and the fifty pairs of eyes behind me glared and grew glassy. Though this morning the weather was pure, clear and copper-sunned, the fog has descended so low that the tips of the trees are nearly obliterated. This is Seattle. This is the city I know. Here's something I wrote a month or so ago, an ode to this city, its literary scene, and its inhabitants. When I graduated from a small Midwestern liberal arts college with the music degree I knew I might never use, I felt lost looking for What To Do Next. Despite the pressure I felt alongside my friends – future accountants, teachers, and doctors - to map out a life just so, a much respected professor suggested that each step in one’s life seems microscopic, a darkened footpath occasionally lit by a