Skip to main content

To Camelot

This week we step away from the Renaissance into the world of Medieval Romance. The writing of a romance, a genre almost entirely consisting with arranging and juggling inherited courtly and popular motifs, seems worlds away from a modern conception of the ideal work of literature as original. And yet – the perpetuation of Arthurian-based television programs and movies seems to suggest we’re as susceptible to retellings as our medieval ancestors. G and I confirmed this by spending an inordinate amount of time on youtube watching (generally awful) trailers of King Arthur, Tristan + Isolde, Merlin, the Mists of Avalon, b, Camelot etc. The best – I tried to convince G – is obviously First Knight. It might be light on the adultery and magic, but it has cheese: tinny armour and swords, a misty Round Table montage, dark-haired Richard Gere crying, a leaf turned into a cup for forest rain-water.




I have, however, just become aware of Bresson’s Lancelot du Lac and Rohmer's Perceval le Gallois. To watch these would be an excellent repeating of the past, a re-engagement with English Romance as inherited from the French whim for Celtic lore.

Comments

Popular posts from this blog

My Mad Girl

[A Question I am Not the First to Ask: What is it about women and madness? Are they more susceptible to delusion than men are? The subject of many books and hypotheses, we wonder if madness dogs the steps of creative women (eg. Anne Sexton, Sylvia Plath, Virginia Woolf, Charlotte Perkins Gilman…) Is it a biological coincidence or a recurring phenomenon? Is it socially reinforced? Do men fear the hysterical women? Is it the uterus (Greek “hysteria”) which turns the brain?] The reclusive writer, the late Janet Frame, winner of all of New Zealand’s literary prizes, spent much time in institutions and in therapy and, as far as I can tell, her novels commonly include themes of estrangement, mental health and madness. Frame considered her 1963 novel Towards Another Summer too personal be published in her lifetime. As she’d already written an autobiography ( Angel at My Table , made into a film by Jane Campion) and been this subject of several biographies, this is telling. Towards Another Su
Attention poetry mavens: any suggestions for good contemporary poets (either in general or particular collections)? Have sudden appetite but very little idea where to start. Any advice welcome!

Before I go

I'm at the airport with too many bags. A last minute weigh in required me to pull all my books out of my bags and redistribute the weight, while the service representative had to call Iceland (where I pass through en route to London), and the fifty pairs of eyes behind me glared and grew glassy. Though this morning the weather was pure, clear and copper-sunned, the fog has descended so low that the tips of the trees are nearly obliterated. This is Seattle. This is the city I know. Here's something I wrote a month or so ago, an ode to this city, its literary scene, and its inhabitants. When I graduated from a small Midwestern liberal arts college with the music degree I knew I might never use, I felt lost looking for What To Do Next. Despite the pressure I felt alongside my friends – future accountants, teachers, and doctors - to map out a life just so, a much respected professor suggested that each step in one’s life seems microscopic, a darkened footpath occasionally lit by a