If there was ever a day to be in Cambridge and to walk out to Grantchester meadows, it was this one. I ran out towards the fields before 8. The sky was already Wedgewood blue and the sun Greek. As I ran – slowly; I’m not much of a runner – Vaughn Williams Lark Ascending came up on my ipod. A synthesizing of music and mood and landscape that fit like light jazz and a New York skyline, or blues and the South. I crouched down to the grass when I got to the village and saw the sunlight on the grassblades' unevaporated coating. In the distance, the river ran quiet and deep through monochromatic fields, and the single swan swimming its sole worshipper. The hedges and thickets were blooming: not all together but every odd bush exploded into flower. Plump doves and crows sat high on bare branches, and the tits and robins darted in the hedges. The lichens and mosses around the tree stumps are electric green. The pheasants and grouse call in mulish strangled squawks. I saw what the American naturalist William Bartam might call a ‘bomble bee’. It was the sort of Sunday that only is real in a nostalgic haze. I remember a day like this on Port Meadow, when I’d just arrived, and the quote from Waugh: “...it was a day of peculiar splendour, such as our climate affords once or twice a year, when leaf and flower and bird and sun-lit stone and shadow seem all to proclaim the glory of God…”
Christopher Isherwood’s 1964 novel A Single Man is nothing less than a modern masterpiece and, I have no doubt, will turn out to be one of my favorite books of 2010. The novel follows George as he struggles through a single day in 1960’s Los Angeles following the death of his lover. George wakes up, goes to the university where he teaches literature, goes to the gym, has dinner with a friend, gets drunk at a dive bar, swims in the ocean, and arrives at the end. George is “three quarters human,” a machine trying to keep himself alive until it is time not to be. Like an actor, he is absent from humanity. When he looks at his neighbors, at the suburban families, he thinks "They are afraid of what they know is somewhere in the darkness around them, of what may at any moment emerge into the undeniable light of their flash-lamps, nevermore to be ignored, explained away. The fiend that won't fit into their statistics, the Gordon that refuses their plastic surgery, the vampire drinki...
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http://en.wikipedia.org/wiki/John_Bartram