Skip to main content

The Short Story Season I

The New Yorker Fiction podcast, which I’ve now gobbled up in its entirety, has recently been a lifeline while I’ve been travelling from house to house, city to city. It’s been responsible for kick-starting my renewed interest in the short story – more to come – and for introducing me to writers I’ve long known by name but never read: like Elizabeth Taylor.

Paul Theroux read Taylor’s ‘The Letter Writers’ this past January for the podcast and the story remains one of her best, alongside (and forgive the list) stories such as ‘Taking Mother Out’, ‘Swan-Moving’, ‘A Sad Garden’, ‘The Ambush’, ‘The True Primitive’, ‘The Little Girl’, ‘Hare Park’, ‘The Prerogative of Love’, and ‘The Thames Spread Out’. Travelling with the hefty paperback on planes, trains, and automobiles, I feel I’ve dragged round my little plot of England to keep me company.

(A quick note on editions: an NYRB edition of her stories has just been published but it is a selection, rather than Virago’s Complete Stories. Forgo the glamorous selection and cart around the lunker.)

My tutor S. has compared Taylor to John Cheever, saying both are accomplished stylists. This is undoubtedly true, but Taylor submerges her style in composition, humour, and compassion. With Cheever, I always feel like I’m drinking a glass of wine and am drunk before I’ve come to the end. Taylor is sherry or port rather than champagne. Several of her stories do follow the masterful shape of the short story’s ideal, where you respond to the cleverness, the justness, of it. Others are portraits or studies of an era, of a certain kind of Englishness, of character. The way one might travel to a long-romanticized place; the way one might respond to unfamiliar children; how a West Indian immigrant might experience life in London: thought-experiments of feeling. To read her is to become aware of how people subtly disappoint each other. The stories reveal a writer intrigued – not repulsed – by human failings. I don’t think it’s necessary to like your characters – last year the novelist Claire Messud was involved in a national discussion about female writers and their characters’ likeability, and I’m personally quite put off by the whole question – but to read Taylor is to see what kind of revelations come from sympathy. David Baddiel’s likening of Taylor to Jane Austen is just. Both display moral curiosity, and are never sentimental so as to miss having a laugh at someone who deserves it.

Comments

There's a good biography of her by Nicola Beauman, published by Persephone. Interesting she was probably the only member of the Communist Party in High Wycombe.
Thanks, Katrina. I've been keen the Beauman biography for a while. I didn't know about her belonging to the CP - what a lady. Oddly, politics appears very rarely in the stories.

Popular posts from this blog

Attention poetry mavens: any suggestions for good contemporary poets (either in general or particular collections)? Have sudden appetite but very little idea where to start. Any advice welcome!

My Mad Girl

[A Question I am Not the First to Ask: What is it about women and madness? Are they more susceptible to delusion than men are? The subject of many books and hypotheses, we wonder if madness dogs the steps of creative women (eg. Anne Sexton, Sylvia Plath, Virginia Woolf, Charlotte Perkins Gilman…) Is it a biological coincidence or a recurring phenomenon? Is it socially reinforced? Do men fear the hysterical women? Is it the uterus (Greek “hysteria”) which turns the brain?] The reclusive writer, the late Janet Frame, winner of all of New Zealand’s literary prizes, spent much time in institutions and in therapy and, as far as I can tell, her novels commonly include themes of estrangement, mental health and madness. Frame considered her 1963 novel Towards Another Summer too personal be published in her lifetime. As she’d already written an autobiography ( Angel at My Table , made into a film by Jane Campion) and been this subject of several biographies, this is telling. Towards Another Su...

Before I go

I'm at the airport with too many bags. A last minute weigh in required me to pull all my books out of my bags and redistribute the weight, while the service representative had to call Iceland (where I pass through en route to London), and the fifty pairs of eyes behind me glared and grew glassy. Though this morning the weather was pure, clear and copper-sunned, the fog has descended so low that the tips of the trees are nearly obliterated. This is Seattle. This is the city I know. Here's something I wrote a month or so ago, an ode to this city, its literary scene, and its inhabitants. When I graduated from a small Midwestern liberal arts college with the music degree I knew I might never use, I felt lost looking for What To Do Next. Despite the pressure I felt alongside my friends – future accountants, teachers, and doctors - to map out a life just so, a much respected professor suggested that each step in one’s life seems microscopic, a darkened footpath occasionally lit by a...