Skip to main content

A Poem a Day

Today the new Oxford Professor of Poetry has been announced. Today on his 78th birthday, Geoffrey Hill won “by a landslide” the papers reported. The election had some bickering but none of the publicized underhandedness of last year. I hope, I hope, to hear him read in person.

I found this in the Guardian and liked it:
“Nobody reads a poem to find out what’s in the last line,” George Szirtes is quoted in Stephen Moss’ article about the future of poetry. “They read the poem for the experience of traveling through it.”

This week, urged by Clive James, I read Auden’s “The Fall of Rome.” (Auden was another Oxford Professor of Poetry.) I like it more as I re-read it. My favorite phrase is “Private rites of magic,” which sounds like a great title for a book, and also the lines “An unimportant clerk/writes I DO NOT LIKE MY WORK/ on a pink official form.” And most of all, the last stanza, which is one compact and beautiful dappled image in motion:

“Altogether elsewhere vast
Herds of reindeer move across
Miles and miles of golden moss
Silently and very fast.”

You can read the whole poem here.




On another note, I come to Allegro’s every Friday morning to drink a mocha and type à la machine, and there are two young men who also come in every week just before eight o’clock. The first time I saw them, I couldn’t stop listening to their conversation, because carried on in smooth and cultivated tones (the kind never heard in Seattle from straight males) was the most preposterous student-ish back-and-forth about who read what in the original Russian and what Nabokov really meant in Pnin and Chopin’s best piano concerto and whether to go on to Princeton or Duke or Stanford and how to spend one’s time intellectually during the summer… They are endlessly fascinating. Like a pair of politely verbal ballroom dancers.

Comments

Popular posts from this blog

I’ve a short story in the latest edition of The Stinging Fly , which is a brilliant Irish literary journal. If you’d like a copy (or if you like Claire-Louise Bennett or Kevin Barry or Danielle McLaughlin or Colin Barrett, who’ve all been published by SF ) you can get it here Or, you know, go to Dublin.

Monologuing

My previous experience of Rachel Cusk is restricted to her travel book on Italy, The Last Supper , which was withdrawn in Britain because of objections from individuals who found themselves featured, unflatteringly, within its pages. It's very difficult not to write a book about Italy without being smug. Then I read reviews (especially hatchet jobs) about her controversial divorce memoir, Aftermath . I confess I’m suspicious when a writer writes memoir after memoir, as if his own life is the only field of interest. I read memoirs – I am moved by the familiar voice – but I’m wary of their cultural predominance. Self-knowledge is a good springboard for knowledge of others. Orbiting one’s own life without ever calling into question the limitation of it seems myopic. (This, however, is not to say that personal writing can be divorced from art, or that it should be.) But Outline is an expose of how fascinating and selfish and dreary and inescapable monologues on the self can be. The
There’s a sudden late surge of warmth in the rough winds today and it’s the perfect day to read one of John Clare’s best sonnets: November Sybil of months & worshipper of winds I love thee rude & boisterous as thou art & scraps of joy my wandering ever finds Mid thy uproarious madness – when the start Of sudden tempests stir the forrest leaves Into hoarse fury till the shower set free Still the hugh swells & ebb the mighty heaves That swing the forrest like a troubled sea I love the wizard noise & rave in turn Half vacant thoughts & self imagined rhymes Then hide me from the shower a short sojourn Neath ivied oak & mutter to the winds Wishing their melody belonged to me That I might breath a living song to thee