Change defines the present: movings, weddings, births. This is the season of clean carpets and filthy fingernails, ants in the cupboards, spiders under the toilet. The only good thing about today (K & I agreed) is that it means that yesterday - and its hours of shuffling, restacking, packing, boxing, cleaning, swiping, scrubbing, daubing - is over. Like a tortoise, all my possessions are now in boxes and in my car. And dismantling the house K & I shared has been difficult. As I was selling my library I came across The Fellowship of the Ring (in the wake of its Hollywoodization I'd forgotten how good it is) and as I read the beginning I was struck by Frodo's leaving of the Shire. Of course we know it's a small thing compared to how he will be involved with the fate of the Ring, but still. Something about it made me feel sad, and also understood: "Frodo walked round the familiar rooms and saw the light of the sunset fade on the walls, and shadows creep out of the corners. It grew slowly dark indoors."
Christopher Isherwood’s 1964 novel A Single Man is nothing less than a modern masterpiece and, I have no doubt, will turn out to be one of my favorite books of 2010. The novel follows George as he struggles through a single day in 1960’s Los Angeles following the death of his lover. George wakes up, goes to the university where he teaches literature, goes to the gym, has dinner with a friend, gets drunk at a dive bar, swims in the ocean, and arrives at the end. George is “three quarters human,” a machine trying to keep himself alive until it is time not to be. Like an actor, he is absent from humanity. When he looks at his neighbors, at the suburban families, he thinks "They are afraid of what they know is somewhere in the darkness around them, of what may at any moment emerge into the undeniable light of their flash-lamps, nevermore to be ignored, explained away. The fiend that won't fit into their statistics, the Gordon that refuses their plastic surgery, the vampire drinki...
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