Skip to main content


I found this article by Lindsay Johns on Arts & Letters Daily on the importance of the canon for black people (and, by extension, I presume for other minority groups). I'm a sucker for discussions on the canon, and for the canon itself.

Here's an excerpt I found particularly apt:

"Naturally, if someone has me in shackles, is holding a gun to my head and denying me my basic human rights because of the colour of my skin, I would choose to firstly devote my intellectual energies to addressing that injustice. But it is undeniable that man’s inhumanity to man is only one part of the human condition.

The dead white men never had to face the evils of slavery or the physical and emotional oppression of racism. Thus their minds were freer to range over the great philosophical questions, metaphysical quandaries and cosmological dilemmas. In short, they have been allowed to address man in relation to the macrocosm, as opposed to just the microcosm."

It's just how I feel about the topic of "women's writing" and the feminist response to the canon. Johns may not call the limited and focused responses to the canon by previously excluded or marginalized parties the "school of resentment" as Harold Bloom does, but I have no doubt that both Johns and Bloom are allies with a great cause.

Comments

Popular posts from this blog

Attention poetry mavens: any suggestions for good contemporary poets (either in general or particular collections)? Have sudden appetite but very little idea where to start. Any advice welcome!

My Mad Girl

[A Question I am Not the First to Ask: What is it about women and madness? Are they more susceptible to delusion than men are? The subject of many books and hypotheses, we wonder if madness dogs the steps of creative women (eg. Anne Sexton, Sylvia Plath, Virginia Woolf, Charlotte Perkins Gilman…) Is it a biological coincidence or a recurring phenomenon? Is it socially reinforced? Do men fear the hysterical women? Is it the uterus (Greek “hysteria”) which turns the brain?] The reclusive writer, the late Janet Frame, winner of all of New Zealand’s literary prizes, spent much time in institutions and in therapy and, as far as I can tell, her novels commonly include themes of estrangement, mental health and madness. Frame considered her 1963 novel Towards Another Summer too personal be published in her lifetime. As she’d already written an autobiography ( Angel at My Table , made into a film by Jane Campion) and been this subject of several biographies, this is telling. Towards Another Su...

Before I go

I'm at the airport with too many bags. A last minute weigh in required me to pull all my books out of my bags and redistribute the weight, while the service representative had to call Iceland (where I pass through en route to London), and the fifty pairs of eyes behind me glared and grew glassy. Though this morning the weather was pure, clear and copper-sunned, the fog has descended so low that the tips of the trees are nearly obliterated. This is Seattle. This is the city I know. Here's something I wrote a month or so ago, an ode to this city, its literary scene, and its inhabitants. When I graduated from a small Midwestern liberal arts college with the music degree I knew I might never use, I felt lost looking for What To Do Next. Despite the pressure I felt alongside my friends – future accountants, teachers, and doctors - to map out a life just so, a much respected professor suggested that each step in one’s life seems microscopic, a darkened footpath occasionally lit by a...