I went to Blackwells this afternoon to buy a unit of fiction and I found choosing extremely difficult. I am always plagued with the feeling that the same book is being written over and over – a novel during wartime London; a tale of young women vying for the stage in the 1920s; an affair set in the present day; an old man remembering his first sexual experience; a historical romp beaded heavily with elaborate camp; stories of young male vagabonds whose consciousnesses disintegrate while walking the streets at night. Books on shelves – with their bright loopy covers and vibrant letters and bumptious puffs - seem to mean nothing. Perhaps this is a result of not reading contemporary fiction for so long. The hackneyed book news, the schools of fiction, the masters writing classes, review readers, Costa and Orange awards; what do they mean? It took me two trips and at least an hour of choosing and then discarding everything and clinging to Diego Marani’s Finnish Grammar and thinking At Last I Will Buy It. This is my raft. This will save me. And then tossing everything out to buy Andres Newman’s Traveller of the Century. It’s a Pushkin Press book, and was (sort of) endorsed by the late Roberto Bolano. Time will tell. Emily Dickinson needs a male companion.
[A Question I am Not the First to Ask: What is it about women and madness? Are they more susceptible to delusion than men are? The subject of many books and hypotheses, we wonder if madness dogs the steps of creative women (eg. Anne Sexton, Sylvia Plath, Virginia Woolf, Charlotte Perkins Gilman…) Is it a biological coincidence or a recurring phenomenon? Is it socially reinforced? Do men fear the hysterical women? Is it the uterus (Greek “hysteria”) which turns the brain?] The reclusive writer, the late Janet Frame, winner of all of New Zealand’s literary prizes, spent much time in institutions and in therapy and, as far as I can tell, her novels commonly include themes of estrangement, mental health and madness. Frame considered her 1963 novel Towards Another Summer too personal be published in her lifetime. As she’d already written an autobiography ( Angel at My Table , made into a film by Jane Campion) and been this subject of several biographies, this is telling. Towards Another Su
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