Skip to main content

Hundred Acre Woods Lovers

The best thing about books is that as it passes from hand to hand, one is able to get a sense of the book's previous owners. This is not always a case, but as I've mentioned before, I am thrilled by finding ticket stubs and photographs and invitations etc inside used books I buy. Inscriptions are the best.

Yesterday I discovered an inscription in a beautiful, shabby 1954 copy of Winnie-the-Pooh:

To Sandy
Your beautiful wind flows across
my face and kisses my lips.
It softly overlaps its currents
and two seeing softly beautiful eyes -
the color of the floating, dreaming blue -
form in the circle of the center.
I look into the smiling eyes
and they suck me, flow me
into the circle
of their infinite kaleidoscope,
and I am hurtled into, through
the wall...
and explode into reads and lavenders.
I enter the night-blue
and become the stars.
The Oneness of your eyes kisses my glow -
and the eyes and the stars
smile at each other and glisten
as a blue-silver infinity.
The Oneness sparkles and smiles
and is in peace
as it touches its wand
to the brown of my eyes...
which is your blue.

I love you, Darling,
with the everything
and the nothing
that I am.
- Ted


Who gave this love letter away, I want to know? Not my favorite kind of poetry, but still, it must have meant something to Ted. And hopefully to Sandy also. I was expected the inscription of birthday wishes from a Grandma to a grandson, but instead found a potentially fifty year old ode of love.

Whenever I find something like this, I feel a little more connected to the world in general. And feel inspired to write oodles of inscriptions.

Comments

Popular posts from this blog

Natural Love

We sadly miss the beauty and silliness of medieval cosmology: “The sun, moon, and stars go still round…for love of perfection. This love is manifest, I say, in inanimate creatures. How comes a loadstone to drawn iron to it? jet chaff? The ground to covet showers, but for love? No creature, St. Hierome concludes, is to be found…[that does not love something], no stock, no stone, that hath not some feeling of love. ‘Tis more eminent in plants, herbs, and is especially observed in vegetals…the olive and the myrtle embrace each other in roots and branches if they grow near…” Robert Burton, Anatomy of Melancholy .

My Mad Girl

[A Question I am Not the First to Ask: What is it about women and madness? Are they more susceptible to delusion than men are? The subject of many books and hypotheses, we wonder if madness dogs the steps of creative women (eg. Anne Sexton, Sylvia Plath, Virginia Woolf, Charlotte Perkins Gilman…) Is it a biological coincidence or a recurring phenomenon? Is it socially reinforced? Do men fear the hysterical women? Is it the uterus (Greek “hysteria”) which turns the brain?] The reclusive writer, the late Janet Frame, winner of all of New Zealand’s literary prizes, spent much time in institutions and in therapy and, as far as I can tell, her novels commonly include themes of estrangement, mental health and madness. Frame considered her 1963 novel Towards Another Summer too personal be published in her lifetime. As she’d already written an autobiography ( Angel at My Table , made into a film by Jane Campion) and been this subject of several biographies, this is telling. Towards Another Su...
Attention poetry mavens: any suggestions for good contemporary poets (either in general or particular collections)? Have sudden appetite but very little idea where to start. Any advice welcome!