Skip to main content

Larkin on a Sunday

After looking for a complete volume of Philip Larkin’s poetry, I found one at our bookstore on Sunday, and bought it hurriedly. It was the kind of day for poetry, so bright you feel the sun radiating from the leaves and the ground rather than the sky. Looking at the spine, I saw that pages were turned down precisely in two places.



It was clear that it wasn’t an accident, or sloppy book handling, but must have been meaningful to the previous owner of the book. It must say something about that person, and oddly enough, I feel that at this juncture, I think it says something about me. A communion with a person, just because of a page turned down. Here is the poem:

Places, Loved Ones

No, I have never found
The place where I could say
This is my proper ground,
Here I shall stay;
Nor met that special one
Who has an instant claim
On everything I own
Down to my name;

To find such seems to prove
You want no choice in where
To build, or whom to love;
You ask them to bear
You off irrevocably,
So that it’s not your fault
Should the town turn dreary,
The girl a dolt.

Yet, having missed them, you’re
Bound, none the less, to act
As if what you settled for
Mashed you, in fact;
And wiser to keep away
From thinking you still might trace
Uncalled-for to this day
Your person, your place.

Comments

Ian Wolcott said…
Larkin is marvelous.

Popular posts from this blog

Natural Love

We sadly miss the beauty and silliness of medieval cosmology: “The sun, moon, and stars go still round…for love of perfection. This love is manifest, I say, in inanimate creatures. How comes a loadstone to drawn iron to it? jet chaff? The ground to covet showers, but for love? No creature, St. Hierome concludes, is to be found…[that does not love something], no stock, no stone, that hath not some feeling of love. ‘Tis more eminent in plants, herbs, and is especially observed in vegetals…the olive and the myrtle embrace each other in roots and branches if they grow near…” Robert Burton, Anatomy of Melancholy .
Attention poetry mavens: any suggestions for good contemporary poets (either in general or particular collections)? Have sudden appetite but very little idea where to start. Any advice welcome!

When the Lights Go Out

Christopher Isherwood’s 1964 novel A Single Man is nothing less than a modern masterpiece and, I have no doubt, will turn out to be one of my favorite books of 2010. The novel follows George as he struggles through a single day in 1960’s Los Angeles following the death of his lover. George wakes up, goes to the university where he teaches literature, goes to the gym, has dinner with a friend, gets drunk at a dive bar, swims in the ocean, and arrives at the end. George is “three quarters human,” a machine trying to keep himself alive until it is time not to be. Like an actor, he is absent from humanity. When he looks at his neighbors, at the suburban families, he thinks "They are afraid of what they know is somewhere in the darkness around them, of what may at any moment emerge into the undeniable light of their flash-lamps, nevermore to be ignored, explained away. The fiend that won't fit into their statistics, the Gordon that refuses their plastic surgery, the vampire drinki...