Skip to main content

Good Haul This Year

While my mother was here last week, I bagged a cache of fabulous finds. (She was kindly, defeatedly, long-sufferingly, patient.) While strolling through the subterranean hallways of Pike Place Market looking for the moomin postcard shop and a headband for my brother, we found a used book store which coughed up a postcard of Graham Greene and this:




Iris M's first novel in the hottest incarnation of a paperback.

The proprietor, who may or may not have been 1) Russian and 2) possessed by the devil, commended Iris Murdoch and said she was one of his favorite writers, but as he had been literally coughing up a hairball not a moment before and was rhapsodizing about Dover publications, I took it to mean he was an enthusiastic salesperson, nothing more, and had no special affection for Iris.

In Victoria we stopped by Renaissance Books, a treat for the soul. I could have spent $350 in a moment. Sadly, I couldn't. I had to leave Dostoyevsky's writing notebooks and the biography of Sylvia Townsend Warner, and the memoirs of Malcolm Muggeridge, and the thousands of penguin trade paperbacks I could have put in a sandwich and consumed on the spot.

However, I did pick up three: the second volume of Dorothy Richardson's Pilgrimage novels (read more here), another of Ivy Compton-Burnett's razor-sharp novels (more here), and Summer Will Show (already finished).




I also saw at the counter a few of Enid Blyton's Noddy Books. Noddy, like Nellie the Elephant, the Wombles, and the Famous Five, was a big part of my childhood. Noddy is a relic of different days (like Postmand Pat, who I hear was finally kicked off the Royal Mail...)

"No one knows who Noddy is," I said to my mom, fingering the books.
"Excuse me," said the proprietor of Renaissance Books, "Everyone knows who Noddy is."
"Oh pardon me, on the Other Side."
"Aha!" (With scorn.)

Comments

Popular posts from this blog

I’ve a short story in the latest edition of The Stinging Fly , which is a brilliant Irish literary journal. If you’d like a copy (or if you like Claire-Louise Bennett or Kevin Barry or Danielle McLaughlin or Colin Barrett, who’ve all been published by SF ) you can get it here Or, you know, go to Dublin.

Monologuing

My previous experience of Rachel Cusk is restricted to her travel book on Italy, The Last Supper , which was withdrawn in Britain because of objections from individuals who found themselves featured, unflatteringly, within its pages. It's very difficult not to write a book about Italy without being smug. Then I read reviews (especially hatchet jobs) about her controversial divorce memoir, Aftermath . I confess I’m suspicious when a writer writes memoir after memoir, as if his own life is the only field of interest. I read memoirs – I am moved by the familiar voice – but I’m wary of their cultural predominance. Self-knowledge is a good springboard for knowledge of others. Orbiting one’s own life without ever calling into question the limitation of it seems myopic. (This, however, is not to say that personal writing can be divorced from art, or that it should be.) But Outline is an expose of how fascinating and selfish and dreary and inescapable monologues on the self can be. The
There’s a sudden late surge of warmth in the rough winds today and it’s the perfect day to read one of John Clare’s best sonnets: November Sybil of months & worshipper of winds I love thee rude & boisterous as thou art & scraps of joy my wandering ever finds Mid thy uproarious madness – when the start Of sudden tempests stir the forrest leaves Into hoarse fury till the shower set free Still the hugh swells & ebb the mighty heaves That swing the forrest like a troubled sea I love the wizard noise & rave in turn Half vacant thoughts & self imagined rhymes Then hide me from the shower a short sojourn Neath ivied oak & mutter to the winds Wishing their melody belonged to me That I might breath a living song to thee