Skip to main content

Against the Picturesque Or the Purpose of This Blog

Friends and family will know that I’m a born Anglophile. I looked forward to life in England with almost unmixed glee, and – as is natural – it is looks different from the other side; now that Seattle is a place beyond my reach, is looks perfect, like home.

In a city as dense with history and myth as Oxford, it is inevitable that one is lured into the city’s hazy atmosphere: the Keatsian seasons of mists and mellow fruitfulness, Arnold’s dreaming spires, Waugh’s halcyon days, the tweed and pipe legends of Lewis and Tolkien, the detections of Lord Peter Wimsey and Inspector Morse, the gown-flappings and dinner halls of Harry Potter. It is in part because it is true; it is a magical enclave. But it’s also self-perpetuation, and I am guilty. Reading back over my blog posts, it’s a construction; no less true perhaps, and forgivable, but still a construction.

I am very susceptible to the picturesque. I am a fan of sheep grazing, buttons, widows with veils, rooms with views, literary people, red telephone booths etc. I might as well own up to my tendencies. It’s only fair that I inform you of my predispositions. These will probably continue. But I’m also looking for something that’s accurate. I don’t want to be another woolly (female) enthusiast.

Just down the street, opposite the Martyr’s memorial which stands out like a tiered stone Gothic cake, is a bus stop out of Oxford. Down-and-outers and their ratty dogs wait outside the grocery store, pedestrians collide with each other as they walk past with no apology or acknowledgment, schoolboys with sharp voices and cigarettes loiter. Why don’t I linger in front of Sainsbury’s and the bus stop like I dawdle in front of the Sheldonian Theatre? The two scenes form a diptych. And yet this “other” side of life is as much as the first a question of framing.

Part of my excitement at moving to a new place was the chance to exercise observation. I’m a born eavesdropper (but that’s another story). I’m fascinated by the members of the Mass Observation who after VE day in 1945 went around London recording the public’s responses. This attention involves a degree of separation and removal; regrettable – inevitable. So I’m going to do my best to attend to this. I’ll continue to write about the walled gardens, and burial places. But you deserve to know – and I should remember - about the drunken Frenchmen on the streets at night, the broken windows and break ups I can’t sleep through, the black hole of Primark, ups and downs of Harris Manchester, the Jamaican restaurants and mosques of Cowley Road and the real History Boys of Christ Church.

Comments

Ian Wolcott said…
Yes, please, with the squalor and dirt - though I'm glad to read the sheep and dahlias too.

Popular posts from this blog

Attention poetry mavens: any suggestions for good contemporary poets (either in general or particular collections)? Have sudden appetite but very little idea where to start. Any advice welcome!

My Mad Girl

[A Question I am Not the First to Ask: What is it about women and madness? Are they more susceptible to delusion than men are? The subject of many books and hypotheses, we wonder if madness dogs the steps of creative women (eg. Anne Sexton, Sylvia Plath, Virginia Woolf, Charlotte Perkins Gilman…) Is it a biological coincidence or a recurring phenomenon? Is it socially reinforced? Do men fear the hysterical women? Is it the uterus (Greek “hysteria”) which turns the brain?] The reclusive writer, the late Janet Frame, winner of all of New Zealand’s literary prizes, spent much time in institutions and in therapy and, as far as I can tell, her novels commonly include themes of estrangement, mental health and madness. Frame considered her 1963 novel Towards Another Summer too personal be published in her lifetime. As she’d already written an autobiography ( Angel at My Table , made into a film by Jane Campion) and been this subject of several biographies, this is telling. Towards Another Su...

Before I go

I'm at the airport with too many bags. A last minute weigh in required me to pull all my books out of my bags and redistribute the weight, while the service representative had to call Iceland (where I pass through en route to London), and the fifty pairs of eyes behind me glared and grew glassy. Though this morning the weather was pure, clear and copper-sunned, the fog has descended so low that the tips of the trees are nearly obliterated. This is Seattle. This is the city I know. Here's something I wrote a month or so ago, an ode to this city, its literary scene, and its inhabitants. When I graduated from a small Midwestern liberal arts college with the music degree I knew I might never use, I felt lost looking for What To Do Next. Despite the pressure I felt alongside my friends – future accountants, teachers, and doctors - to map out a life just so, a much respected professor suggested that each step in one’s life seems microscopic, a darkened footpath occasionally lit by a...