Skip to main content

Now it's Official


We might as well talk about matriculation, which happened last Saturday. Unlike high school, where we “matriculated” at the end of 12th grade, first years matriculate at Oxford to become full, official junior members of the university. This meant that we had to put on our subfusc – white shirts, black skirts or suits, velvet ribbons (women) or white bow ties (men) – and our gowns and carry mortar boards in our hands.

It meant walking down to the Exam Schools (the usual venue, the Sheldonian, alas, is closed for repairs) led by the famous translator of Anselm and the Desert Fathers, Sister Dr. Benedicta Ward, and being lined up like sardines inside the large writing hall (carpeted floors, powdered blue ceilings, the single portrait of Sweden’s favorite king trapped behind a projector screen) to await the ceremony along with the thousands of other first years who trooped into the hall in shifts.

The Vice Chancellor came in, we peered over shoulders, he waved his cap at us, recited a few lines in Latin – hocus, pocus, quanta, esse, universitas, matriculam - waved his hat again and then addressed us in English, primarily to say that this is not in fact a sardine packing factory but a dignified “rite of passage” where “you are now what you were not before”.

And then we trooped outside to catch hypothermia waiting for photographs of us looking like cold penguins and then inside for a brunch. And – I met my new friend Lois’s mother, who happens to be the lovely Angie Sage, writer of the Septimus Heap series which I read in college. A red-letter day!

Comments

Annie Carl said…
It sounds like an amazing morning! Perhaps not the sardine-packing part, but everything else! It's so nice to hear you're experiencing new and wonderful things.

PS: I love Angie Sage!!

Popular posts from this blog

My Mad Girl

[A Question I am Not the First to Ask: What is it about women and madness? Are they more susceptible to delusion than men are? The subject of many books and hypotheses, we wonder if madness dogs the steps of creative women (eg. Anne Sexton, Sylvia Plath, Virginia Woolf, Charlotte Perkins Gilman…) Is it a biological coincidence or a recurring phenomenon? Is it socially reinforced? Do men fear the hysterical women? Is it the uterus (Greek “hysteria”) which turns the brain?] The reclusive writer, the late Janet Frame, winner of all of New Zealand’s literary prizes, spent much time in institutions and in therapy and, as far as I can tell, her novels commonly include themes of estrangement, mental health and madness. Frame considered her 1963 novel Towards Another Summer too personal be published in her lifetime. As she’d already written an autobiography ( Angel at My Table , made into a film by Jane Campion) and been this subject of several biographies, this is telling. Towards Another Su
Attention poetry mavens: any suggestions for good contemporary poets (either in general or particular collections)? Have sudden appetite but very little idea where to start. Any advice welcome!

Before I go

I'm at the airport with too many bags. A last minute weigh in required me to pull all my books out of my bags and redistribute the weight, while the service representative had to call Iceland (where I pass through en route to London), and the fifty pairs of eyes behind me glared and grew glassy. Though this morning the weather was pure, clear and copper-sunned, the fog has descended so low that the tips of the trees are nearly obliterated. This is Seattle. This is the city I know. Here's something I wrote a month or so ago, an ode to this city, its literary scene, and its inhabitants. When I graduated from a small Midwestern liberal arts college with the music degree I knew I might never use, I felt lost looking for What To Do Next. Despite the pressure I felt alongside my friends – future accountants, teachers, and doctors - to map out a life just so, a much respected professor suggested that each step in one’s life seems microscopic, a darkened footpath occasionally lit by a