Skip to main content

Now it's Official


We might as well talk about matriculation, which happened last Saturday. Unlike high school, where we “matriculated” at the end of 12th grade, first years matriculate at Oxford to become full, official junior members of the university. This meant that we had to put on our subfusc – white shirts, black skirts or suits, velvet ribbons (women) or white bow ties (men) – and our gowns and carry mortar boards in our hands.

It meant walking down to the Exam Schools (the usual venue, the Sheldonian, alas, is closed for repairs) led by the famous translator of Anselm and the Desert Fathers, Sister Dr. Benedicta Ward, and being lined up like sardines inside the large writing hall (carpeted floors, powdered blue ceilings, the single portrait of Sweden’s favorite king trapped behind a projector screen) to await the ceremony along with the thousands of other first years who trooped into the hall in shifts.

The Vice Chancellor came in, we peered over shoulders, he waved his cap at us, recited a few lines in Latin – hocus, pocus, quanta, esse, universitas, matriculam - waved his hat again and then addressed us in English, primarily to say that this is not in fact a sardine packing factory but a dignified “rite of passage” where “you are now what you were not before”.

And then we trooped outside to catch hypothermia waiting for photographs of us looking like cold penguins and then inside for a brunch. And – I met my new friend Lois’s mother, who happens to be the lovely Angie Sage, writer of the Septimus Heap series which I read in college. A red-letter day!

Comments

Annie Carl said…
It sounds like an amazing morning! Perhaps not the sardine-packing part, but everything else! It's so nice to hear you're experiencing new and wonderful things.

PS: I love Angie Sage!!

Popular posts from this blog

I’ve a short story in the latest edition of The Stinging Fly , which is a brilliant Irish literary journal. If you’d like a copy (or if you like Claire-Louise Bennett or Kevin Barry or Danielle McLaughlin or Colin Barrett, who’ve all been published by SF ) you can get it here Or, you know, go to Dublin.

Monologuing

My previous experience of Rachel Cusk is restricted to her travel book on Italy, The Last Supper , which was withdrawn in Britain because of objections from individuals who found themselves featured, unflatteringly, within its pages. It's very difficult not to write a book about Italy without being smug. Then I read reviews (especially hatchet jobs) about her controversial divorce memoir, Aftermath . I confess I’m suspicious when a writer writes memoir after memoir, as if his own life is the only field of interest. I read memoirs – I am moved by the familiar voice – but I’m wary of their cultural predominance. Self-knowledge is a good springboard for knowledge of others. Orbiting one’s own life without ever calling into question the limitation of it seems myopic. (This, however, is not to say that personal writing can be divorced from art, or that it should be.) But Outline is an expose of how fascinating and selfish and dreary and inescapable monologues on the self can be. The
There’s a sudden late surge of warmth in the rough winds today and it’s the perfect day to read one of John Clare’s best sonnets: November Sybil of months & worshipper of winds I love thee rude & boisterous as thou art & scraps of joy my wandering ever finds Mid thy uproarious madness – when the start Of sudden tempests stir the forrest leaves Into hoarse fury till the shower set free Still the hugh swells & ebb the mighty heaves That swing the forrest like a troubled sea I love the wizard noise & rave in turn Half vacant thoughts & self imagined rhymes Then hide me from the shower a short sojourn Neath ivied oak & mutter to the winds Wishing their melody belonged to me That I might breath a living song to thee